They get the shotguns, accidentally sell them and have to steal them back.Ī father-son duo, played by Vinnie Jones and Peter McNicholl, are enforcers for the crime bosses and threaten the protagonists to make sure they settle their debt. Two bumbling criminals, played by Jake Abraham and Victor McGuire, are hired by the crime bosses to get the shotguns. Moriarty and Lenny McLean, run and rig that poker game and, on the side, are trying to steal a couple expensive shotguns about to go up for auction. The game is rigged, they fall into debt and decide to rob their neighbors to get out of it. The protagonists, played by Nick Moran, Jason Statham, Dexter Fletcher and Jason Flemyng, are friends who pool their money so one of them can enter a high-stakes poker game. The plot is more complicated on paper than it is on screen, but here we go. Some of them have stories so slight you'd struggle to call them stories. There are, essentially, six groups of criminals roaming around Lock, Stock's London. But everything looks dirty, and that can go a long way in a heist movie. There are shots where everybody isn't fully in frame and you can't be sure whether it's a choice or Ritchie and his crew really just didn't quite know what they were doing, but there are also perfectly-executed slow motion shots and needle drop moments that must have accounted for an unreasonable percentage of the film's budget. The plot is tight and the characters are quippy in a way that sometimes gets a little too cute. The Reservoir Dogs thieves coordinated so they could all wear the same suit to their heist while the Lock, Stock guys all show up in dirty trench coats. Jason Statham, who would quickly become one of the great movie badasses of his generation, stars alongside at least five other actors who look like they could rip his head off. The film stock is grainy and the color palette is all browns and dark greens. London looks like an open-air public restroom here. At least for a little while, he had something Tarantino never did: grime. This movie marked the debut of writer-director Guy Ritchie, whose early aesthetic revolved around moving Tarantino scenarios to England.
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